(23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. contact with his thought. Renaud Camus has uploaded 26082 photos to Flickr. Thank you for your citation and information. Biographie. Hello Monica, ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Son père est peintre de la contre-réforme très en vogue auprès des papes. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. 1 Kemp, Martin, ed. New Haven: Yale University, 1989, 35-37. Leonardo on Painting. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. Did she welcome the idea of marrying into a high status family or did she find them pompous bores?
. Vintage Mickey Art Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 7 King, 73. Explore. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. 14 Simons, Patricia. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. For one thing, I’m an art historian who is a woman. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. Lavinia Fontana fut la première femme à disposer officiellement d’un atelier. Art. As with the marriage portrait, Fontana opts to emphasize her learning and wealth. 29 mars 2018 - Cette épingle a été découverte par Dmitriy Makeev. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. Once again, Fontana is careful in how she has presented herself (in order to meet societal expectations). For more information, see Liana De Girolami Cheney, et. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. Or maybe improving an existing one? Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Washington: DC: New Academia, 2009). My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. 28 Jun. 2012. Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. . 40. 17 King, Catherine. This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away.
Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. 2 Bohn, Babette. I will let you know if anything comes of it. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca I hope Lavinia was able to continue to express her individuality in spite of societal obligations. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Autoportrait. (21). In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? http://www.squinchpix.com Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? 5 is Your footnote no. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes This site focuses on her portraits. After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? It’s nice to hear from another art historian who loves Lavinia Fontana! ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art.
Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop. 2 (2004): 251-256. He is sorely missed. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. your own Pins on Pinterest She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Lovely tribute, I hope Hasan’s blog comes back online at some point! She is one of my favourites! Renaud Camus has uploaded 25965 photos to Flickr. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. Commission yourself a portrait today! 4 King, p. 67. We do not wish to appropriate his content; merely to see his To overcome this, artists often used self-portraits to emphasis socioeconomic and intellectual status. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. I certainly feel that way. Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. The following post first appeared on Three Pipe Problem in March 2011. charges. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. Lavinia Fontana pose le problème des femmes They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. Mr. Niyazi was a gifted art historian and researcher and made many contributions to the . She was one of the first women to execute large, publicly commissioned figure paintings. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. (3). I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. Although I appreciate your writing on Lavinia Fontana. 11 McIver, Katherine. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. Required fields are marked *, You may use these HTML tags and attributes: .
I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. My problem is that it is difficult for us to establish what the artist’s true values were. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. Lavinia Fontana. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. 5 Jul. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Web. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. An email notification will be sent whenever a new post appears on this site. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … 4 Jul. Los Angeles County Museum of Art, Los Angeles, CA. Hello Llana! Washington: DC: New Academia, 2009). Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Find more prominent … Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Follow the links above for analysis and research on specific paintings. We have learned that his web site has now been taken down and the Our embroidery kit…. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Grace Reff Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. The self-portrait by Fontana that interests me the most was painted just two years after Fontana’s wedding portrait. Lavinia Fontana. For more information, see Liana De Girolami Cheney, et. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. 19.1 (1998): 3-8. 58.3 (1995): 381-406. Continuing the family business was typical at the time. The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. Renaud Camus has uploaded 25646 photos to Flickr. Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. -Self Portraits- -Noblewomen- -Gozzadini Family Portrait- -Tognina Gonzales- -Extended Bibliography-
Lavinia Fontana : le triomphe au féminin Un nouveau pas en avant s’accomplit sous le pinceau de Lavinia Fontana (1552–1614). Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. 5 Bohn, 254. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. She was the first woman artist to paint female nudes, and possibly the first female to … Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. 1600. Lavinia Fontana. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. As I have been writing this post and thinking about Fontana, I’ve come to a realization as to why I am drawn to female self-portraits. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Perhaps Fontana truly valued virginity before marriage.. or perhaps she thought it was an absurd, sexist concept. 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. 25. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. L’artiste se dépeint donc non pas comme telle mais exerçant une autre which could be re-hosted? I would like to examine two of these self-portraits, including my own ideas with those that have been previously presented by Catherine King and Babette Bohn.1 I think these two portraits are quite revealing in terms of what Fontana felt was important to communicate about herself. 6. Dear Ms. Celalettin, À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. UPDATE: Since writing this initial post in 2011, I have written more about Lavinia Fontana’s “Self-Portrait” for the Ciacón collection elsewhere on my blog: “Lavinia Fontana’s ‘Self-Portrait’ and Gender.”. I too, am very keen for his blog to be back online for educational purposes and for those who just wish to admire his work. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! This portrait is a tondo painted on copper (1579) and was created expressly for placement in a collection. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Protégée des papes Jules III, puis Grégoire XIII, la famille Fontana possède l’un des ateliers les plus en vue de Bologne. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Your email address will not be published. Note … “Female Self-portraiture in early modern Bologna.” Renaissance Studies. That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . She has strong posture and her eyes gaze directly forward to the viewer. 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. Lavinia Fontana, autoportrait; ca. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. I’ve included that citation in the footnote and updated it accordingly. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. See more ideas about fontana, female artists, portrait. While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Renaud Camus has uploaded 26082 photos to Flickr. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. Fontana’s dress, “with its slashed sleeves, her huge lace collar and heavy gold cross… ensure her appearance as a gentildonna, and thereby could reflect a social parity with Anguissola.” (22) The dress is on par with that of her outfit in her Self Portrait at the Keyboard, but more truly reflects the artist’s passions and career. erudition on display again for those who knew him and for those who have yet to come into I assumed that she is bringing music for Lavinia to play. Fontana presents herself as a confident and fairly attractive woman. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. 5 Bohn, 254. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. Thank you for this interesting post about Fontana’s self-portraits. 401. Thank you for your comment. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. 244. In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen.
4a.7, p. 64).Created as a marriage portrait for her … (7), The musical instrument itself is a symbol both of love and financial status. 12 janv. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. 4 Murphy, Caroline P. Lavinia Fontana : a painter and her patrons in sixteenth-century Bologna. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. Web. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Italie, 1552-1614. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . (A nineteenth century engraving of Fontana’s painting is helpful in seeing these details.) With good wishes, Liana. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. (10). I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. 2012. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes.