Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG Her face, which looks forward openly, has strong features and clear skin. 1600. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. 4 King, p. 67., Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. 4 Jul. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. . . Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! Thank you for your comment. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. would potentially benefit. The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. She was the first woman artist to paint female nudes, and possibly the first female to … Lavinia Fontana’s Self-Portrait and Gender Lavinia Fontana, Self Portrait In a Tondo, 1579 Lavinia Fontana’s self-portrait from 1579 has long been of interest to me. Perhaps his content could be displayed again on his web site Although I don’t feel that I experience the same difficulties as women in the Renaissance period, I experience an element of self-awareness when I need to portray myself (either visually or in writing). Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability. Lavinia Fontana : le triomphe au féminin Un nouveau pas en avant s’accomplit sous le pinceau de Lavinia Fontana (1552–1614). ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Voir plus d'idées sur … As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! See more ideas about fontana, female artists, portrait. Vintage Mickey Art Your email address will not be published. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. Explore. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. 244. We have learned that his web site has now been taken down and the -Self Portraits-   -Noblewomen-   -Gozzadini Family Portrait-   -Tognina Gonzales-   -Extended Bibliography-    Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Murphy says, “a love knot has been placed on the keyboard, which could also point to a context of betrothal. After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. Autoportrait. Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Lavinia Fontana fut la première femme à disposer officiellement d’un atelier. Print. She was one of the first women to execute large, publicly commissioned figure paintings. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. which could be re-hosted? Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Grace Reff Fontana presents herself as a confident and fairly attractive woman. I certainly feel that way. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. As I have been writing this post and thinking about Fontana, I’ve come to a realization as to why I am drawn to female self-portraits. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. With good wishes, Liana. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 28 déc. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. Art. Dear Ms. Celalettin, Découvrez vos propres épingles sur Pinterest et enregistrez-les. My problem is that it is difficult for us to establish what the artist’s true values were. Her family relied on her career as a painter, and her husband served as her agent and rai… Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . wide circle of his admirers. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. Lavinia Fontana, born in Bologna in 1552 to Prospero Fontana, became one of the most popular Italian painters of her time. Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. 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. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. Biography. 18.2 (2004): 239-86. 40. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Renaud Camus has uploaded 25646 photos to Flickr. I would like to examine two of these self-portraits, including my own ideas with those that have been previously presented by Catherine King and Babette Bohn.1 I think these two portraits are quite revealing in terms of what Fontana felt was important to communicate about herself. 2 (2004): 251-256. Perhaps Fontana truly valued virginity before marriage.. or perhaps she thought it was an absurd, sexist concept. Lavina Fontana naît le 24 août 1552 à Bologne. For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. This site focuses on her portraits. Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. Although I appreciate your writing on Lavinia Fontana. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. Vintage Art. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. Lavinia Fontana. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). 5 Jul. For more information, see Liana De Girolami Cheney, et. Renaud Camus has uploaded 26082 photos to Flickr. Do you, by chance, have any ideas? 58.3 (1995): 381-406. In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. Renaud Camus has uploaded 26082 photos to Flickr. 29 mars 2018 - Cette épingle a été découverte par Dmitriy Makeev. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). 5 is Lovely tribute, I hope Hasan’s blog comes back online at some point! The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. I will let you know if anything comes of it. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. See Liana De Girolami Cheney, et. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller [1] y fue pintora oficial de la corte del papa Clemente VIII.. Find more prominent … Web. 'Pine Cones' (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. all,Self -Portraits of Women Painters. 6. Thank you for your citation and information. They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. Thank you for this interesting post about Fontana’s self-portraits. This portrait is a tondo painted on copper (1579) and was created expressly for placement in a collection. See also Babette Bohn, “Female Self-Portraiture in Early Modern Bologna,” in Renaissance Studies 18, no. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. Biographie. 2 Bohn, Babette. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. The following post first appeared on Three Pipe Problem in March 2011. community of his many admirers would very much like to see it restored in some form. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Continuing the family business was typical at the time. 5 Bohn, 254. The self-portrait by Fontana that interests me the most was painted just two years after Fontana’s wedding portrait. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Leonardo on Painting. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. Did she welcome the idea of marrying into a high status family or did she find them pompous bores? Note … ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. London: Ashgate/Scolar Press, 2000, p. 60 (revised. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Pour les articles homonymes, voir Fontana. 25. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). Web. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. Lavinia Fontana. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Lavinia Fontana. Renaud Camus has uploaded 25965 photos to Flickr. Thank you for making the corrections. I believe it correct that your brother, Hasan Niyazi, owned a web site called I too, am very keen for his blog to be back online for educational purposes and for those who just wish to admire his work. Hello Monica, Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. I assumed that she is bringing music for Lavinia to play. Few artists, especially women artists, would risk expressing their true feelings in writing. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. 2012. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Los Angeles County Museum of Art, Los Angeles, CA. 17 King, Catherine. (10). À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. For more information, see Liana De Girolami Cheney, et. I am currently in the process of restoring the content of, I was lacking the technical knowledge but have now found someone to assist with that. Renaud Camus has uploaded 25646 photos to Flickr. An email notification will be sent whenever a new post appears on this site. Renaud Camus has uploaded 25965 photos to Flickr. I appreciate your taking the time to let me know. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. Hi Dilshat! 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. She is one of my favourites! contact with his thought. 12 janv. L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Selle eelvaate suurus: 524 × 600 pikslit. He is sorely missed. On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. It’s nice to hear from another art historian who loves Lavinia Fontana! Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. (7), The musical instrument itself is a symbol both of love and financial status. I’ve included that citation in the footnote and updated it accordingly. • 1577 : Autoportrait au clavicorde accompagné d'une servante, Accademia Nazionale di San Luca, Rome. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre les artistes et les mécènes de la ville [2]. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. 4 King, p. 67. A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. (3). . Web. Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. L’artiste se dépeint donc non pas comme telle mais exerçant une autre For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. Once again, Fontana is careful in how she has presented herself (in order to meet societal expectations). She has strong posture and her eyes gaze directly forward to the viewer. 24 août 2018 - Cette épingle a été découverte par Sasamoto. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Print. Washington: DC: New Academia, 2009). ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? erudition on display again for those who knew him and for those who have yet to come into at the time and served as her teacher. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. (16) He owned what he called a museo, which in essence, was a gallery of five hundred illustrious women and men of the time. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca Son père est peintre de la contre-réforme très en vogue auprès des papes. Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Fontana’s dress, “with its slashed sleeves, her huge lace collar and heavy gold cross… ensure her appearance as a gentildonna, and thereby could reflect a social parity with Anguissola.” (22) The dress is on par with that of her outfit in her Self Portrait at the Keyboard, but more truly reflects the artist’s passions and career.